A much-loved classic of nature writing from environmentalist and the author of Waterlog, Roger Deakin, Wildwood is an exploration of the element wood in nature, our culture and our lives. 'Breathtaking, vividly written . . . reading Wildwood is an elegiac experience' Sunday Times 'He writes nature as a blackbird sings, or a bird of prey rides thermals - effortlessly.' Reader Review ________________ From the walnut tree at his Suffolk home, he embarks upon a quest that takes him through Britain, across Europe, to Central Asia and Australia, in search of what lies behind man's profound and enduring connection with wood and trees. Meeting woodlanders of all kinds, he lives in shacks and cabins, travels in search of the wild apple groves of Kazakhstan, goes coppicing in Suffolk, swims beneath the walnut trees of the Haut-Languedoc, and hunts bush plums with Aboriginal women in the outback. Perfect for fans of Robert Macfarlane and Colin Tudge, Roger Deakin's unmatched exploration of our relationship with trees is autobiography, history, traveller's tale and incisive work in natural history. It will take you into the heart of the woods, where we go 'to grow, learn and change. ________________ 'Enthralling' Will Self, New Statesman 'Extraordinary . . . some of the finest naturalist writing for many years' Independent 'An excellent read - lyrical and literate and full of social and historical insights of all kinds' Colin Tudge, Financial Times 'Enchanting, very funny, every page carries a fascinating nugget. Should serve to make us appreciate more keenly all that we have here on earth . . . one of the greatest of all nature writers' Craig Brown, Mail on Sunday

Sam Mendes directs this James Bond adventure. Daniel Craig stars as Bond, whose loyalty to M (Judi Dench) is tested as her past comes back to haunt her, and Bond's own doubts about his life and livelihood start to creep in. As MI6 comes under attack and Bond is sent to Shanghai to investigate, he must keep his focus on tracking down and destroying the threat - no matter how high the personal cost. Ralph Fiennes, Javier Bardem and Albert Finney co-star. Adele and Paul Epworth won an Academy Award and Golden Globe for their song 'Skyfall' and the film also received BAFTAs for Outstanding British Film and Original Film Music (Thomas Newman).

'Roger Deakin is the perfect companion for an invigorating armchair swim. Engaging, thoughtful and candid' Telegraph Waterlog celebrates the magic of water and the beauty and eccentricity of Britain. In 1996 Roger Deakin, the late, great nature writer, set out to swim through the British Isles. From the sea, from rock pools, from rivers and streams, tarns, lakes, lochs, ponds, lidos, swimming pools and spas, from fens, dykes, moats, aqueducts, waterfalls, flooded quarries, even canals, Deakin gains a fascinating perspective on modern Britain. Detained by water bailiffs in Winchester, intercepted in the Fowey estuary by coastguards, mistaken for a suicide on Camber sands, confronting the Corryvreckan whirlpool in the Hebrides, he discovers just how much of an outsider the native swimmer is to his landlocked, fully-dressed fellow citizens. This is a personal journey, a bold assertion of the native swimmer's right to roam, and an unforgettable celebration of the magic of water.

Calming, thought-provoking, poetic and honest, Notes from Walnut Tree Farm is a collection of writing and musing by documentary-maker, environmentalist and author of Waterlog, Roger Deakin. 'Gentle, straight, honest, inquisitive, funny, melancholic' Spectator 'A lovely book that is a poignant epitaph to a remarkable individual' Amazon Review ________________ For the last six years of his life, Roger Deakinkept notebooks. In them, he wrote his daily thoughts, impressions, feelings and observations about and around his Suffolk home, Walnut Tree Farm. Collected here are the very best of these writings, capturing his extraordinary, restless curiosity about nature as well as his impressions of our changing world. Perfect for fans of Robert Macfarlane and Colin Tudge, this is a book that fills readers with a desire to explore the world around them. ________________ 'A secular saint' The Times 'Marvellous, wonderful, lovely, remarkable . . . to be read and reread and treasured' Elizabeth Jane Howard, Daily Mail 'Very funny, sharp-eyed. To look at the world through Deakin's eyes was to see somewhere that was more wonderful than it often appears' Sunday Telegraph 'Thoughtful and invigorating, full of humour, timeless . . . will take its place among the classics of Nature diaries . . . to be read alongside Frances Kilvert, Gilbert White, and Dorothy Wordsworth' Mail on Sunday 'So busy and bustling with life' Observer

Here, published for the first time in the United States, is the last book by Roger Deakin, famed British nature writer and icon of the environmentalist movement. In Deakin's glorious meditation on wood, the "fifth element" -- as it exists in nature, in our culture, and in our souls -- the reader accompanies Deakin through the woods of Britain, Europe, Kazakhstan, and Australia in search of what lies behind man's profound and enduring connection with trees.

Deakin lives in forest shacks, goes "coppicing" in Suffolk, swims beneath the walnut trees of the Haut-Languedoc, and hunts bushplums with Aboriginal women in the outback. Along the way, he ferrets out the mysteries of woods, detailing the life stories of the timber beams composing his Elizabethan house and searching for the origin of the apple.

As the world's forests are whittled away, Deakin's sparkling prose evokes woodlands anarchic with life, rendering each tree as an individual, living being. At once a traveler's tale and a splendid work of natural history, "Wildwood" reveals, amid the world's marvelous diversity, that which is universal in human experience.

"The real charm of Byways isn't playing spot-the-location as Deakins dabbles between takes, but the window it opens onto his youthful eye. You can trace his drive from an early age to catch the light at its best - or wait for it - all night if necessary." - The Telegraph "...his first monograph, Byways, looks not to his revered cinematography career, but his decades-long habit of taking still photographs. Among them are breathtaking landscapes and moments of stillness, interspersed with photographs imbued with wit thanks to the playful possibilities of scale, framing and timing. It's the kind of dry humour that sits passers by in conversation with monuments and miscellaneous objects in the street, or captures a canine rendition of Cartier-Bresson's seminal image Behind The Gare Saint-Lazare. - Creative Review "Candid close-ups, wide-angle landscapes, and dynamic long exposures, his monochrome photographs display a variety of approaches and techniques, yet first and foremost, testify to the remarkably perceptive artistic gaze that has seen him nominated for an Oscar on fifteen separate occasions (winning twice). Thoughtful, poetic, and profoundly arresting, they display his distinct enigmatic sensibility, and presented for the most part with little or no information or context (index aside) form a compelling visual soliloquy that conveys with great eloquence, the profound power of the still image." The Independent Photographer "An intimate introduction to the man behind the lens" - The Times Portraits and landscapes from the cinematographer famed for his work with Sam Mendes and the Coen brothers This is the first monograph by the legendary Oscar-winning cinematographer Sir Roger Deakins, best known for his collaborations with directors such as the Coen brothers, Sam Mendes and Denis Villeneuve. It includes previously unpublished black-and-white photographs spanning five decades, from 1971 to the present. After graduating from college Deakins spent a year photographing life in rural North Devon, in South West England, on a commission for the Beaford Arts Centre; these images are gathered here for the first time and attest to a keenly ironic English sensibility, also documenting a vanished postwar Britain. A second suite of images expresses Deakins' love of the seaside. Traveling for his cinematic work has allowed Deakins to photograph landscapes all over the world; in this third group of images, that same irony remains evident.